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	<title>c1850 | Portrait Detective</title>
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	<link>https://www.portraitdetective.com.au</link>
	<description>A unique online photo dating tool for family historians that&#039;s so easy to use</description>
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		<title>1861 &#8211; Goldminer</title>
		<link>https://www.portraitdetective.com.au/1861-goldminer/</link>
		
		<dc:creator><![CDATA[Margot Riley]]></dc:creator>
		<pubDate>Tue, 01 Jan 1861 04:30:38 +0000</pubDate>
				<category><![CDATA[c1850]]></category>
		<category><![CDATA[c1860]]></category>
		<guid isPermaLink="false">http://www.portraitdetective.com.au/?p=2986</guid>

					<description><![CDATA[What we see in this image This unusual painting shows an unidentified Australian bushman, probably aged in his thirties and possibly a goldminer, his occupation suggested by the pick and shovel linked together and balanced on his left shoulder. If so, this is an early example of the goldminer subject moving from popular illustration to [&#8230;]]]></description>
		
		
		
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		<title>1860 &#8211; Sarah Osborne</title>
		<link>https://www.portraitdetective.com.au/1860-sarah-osborne/</link>
		
		<dc:creator><![CDATA[Margot Riley]]></dc:creator>
		<pubDate>Sun, 01 Jan 1860 04:16:07 +0000</pubDate>
				<category><![CDATA[c1850]]></category>
		<category><![CDATA[c1860]]></category>
		<guid isPermaLink="false">http://www.portraitdetective.com.au/?p=2977</guid>

					<description><![CDATA[What we see in this image Grieving protocols intensified in the Australian colonies throughout the second half of the 19th century, following the model set by British monarch Queen Victoria, who assumed perpetual mourning after the death of her husband Prince Albert on 14 December 1861. Wealthy widows like Irish-born Sarah Osborne would have commissioned [&#8230;]]]></description>
		
		
		
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		<title>1859 &#8211; Eleanor Elizabeth Stephen</title>
		<link>https://www.portraitdetective.com.au/1859-eleanor-elizabeth-stephen/</link>
		
		<dc:creator><![CDATA[Margot Riley]]></dc:creator>
		<pubDate>Sat, 01 Jan 1859 03:23:39 +0000</pubDate>
				<category><![CDATA[c1850]]></category>
		<category><![CDATA[c1860]]></category>
		<guid isPermaLink="false">http://www.portraitdetective.com.au/?p=3157</guid>

					<description><![CDATA[What we see in this image This right facing ¾ length portrait miniature shows Eleanor Elizabeth ‘Nelly’ Stephen in evening dress, at about 20 years of age. She is posed seated on an upholstered arm chair in a studio interior with a prop table to one side, covered in a green baize cloth and holding [&#8230;]]]></description>
		
		
		
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		<title>1858 &#8211; Unknown Man</title>
		<link>https://www.portraitdetective.com.au/1858-unknown-man/</link>
		
		<dc:creator><![CDATA[Margot Riley]]></dc:creator>
		<pubDate>Fri, 01 Jan 1858 23:13:24 +0000</pubDate>
				<category><![CDATA[c1850]]></category>
		<category><![CDATA[c1860]]></category>
		<guid isPermaLink="false">http://www.portraitdetective.com.au/?p=2904</guid>

					<description><![CDATA[What we see in this image In this right facing, ¾ length hand-coloured ambrotype portrait, the unknown male subject is posed seated on a floral upholstered chair with one hand on his thigh, and his other arm resting on a small table covered in a similarly distinctive floral-patterned plush cloth – both the chair and [&#8230;]]]></description>
		
		
		
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		<title>1858 &#8211; ‘Unknown Woman’</title>
		<link>https://www.portraitdetective.com.au/1858-unknown-woman/</link>
		
		<dc:creator><![CDATA[Margot Riley]]></dc:creator>
		<pubDate>Fri, 01 Jan 1858 23:11:41 +0000</pubDate>
				<category><![CDATA[c1850]]></category>
		<category><![CDATA[c1860]]></category>
		<guid isPermaLink="false">http://www.portraitdetective.com.au/?p=2887</guid>

					<description><![CDATA[What we see in this image In this right facing, ¾ length hand-coloured ambrotype portrait, the unknown female subject is posed with one hand holding a small posy of [silk] flowers in her lap. She is seated on distinctive floral-upholstered chair with the other hand resting on a small table covered in a similar floral-patterned [&#8230;]]]></description>
		
		
		
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		<title>1858 &#8211; Middleton family portrait</title>
		<link>https://www.portraitdetective.com.au/1858-middleton-family-portrait/</link>
		
		<dc:creator><![CDATA[Margot Riley]]></dc:creator>
		<pubDate>Fri, 01 Jan 1858 01:19:57 +0000</pubDate>
				<category><![CDATA[c1850]]></category>
		<category><![CDATA[c1860]]></category>
		<guid isPermaLink="false">http://www.portraitdetective.com.au/?p=2945</guid>

					<description><![CDATA[What we see in this image This large, full-length hand-coloured ambrotype studio portrait is believed to depict three members of the Middleton family, dressed in fashionable ‘at home’ attire and posed with studio props to replicate a domestic setting. It shows one woman (left) standing next to a posing table covered in a patterned cloth, [&#8230;]]]></description>
		
		
		
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		<title>1858 &#8211; Sergeant William Ormrod</title>
		<link>https://www.portraitdetective.com.au/1858-sergeant-william-ormrod/</link>
		
		<dc:creator><![CDATA[Margot Riley]]></dc:creator>
		<pubDate>Fri, 01 Jan 1858 01:04:56 +0000</pubDate>
				<category><![CDATA[c1850]]></category>
		<category><![CDATA[c1860]]></category>
		<guid isPermaLink="false">http://www.portraitdetective.com.au/?p=2938</guid>

					<description><![CDATA[What we see in this image This front facing ¾ seated ‘ambrotype’ shows a male subject who looks to be aged in his 50s, which may place some doubt on its attribution as Sergeant William Ormrod. As the identity of the photographer is also unknown, this portrait is best dated by its photographic format and [&#8230;]]]></description>
		
		
		
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		<title>1858 &#8211; Margaret Moore Smail, and her children</title>
		<link>https://www.portraitdetective.com.au/1858-margaret-moore-smail-and-her-children/</link>
		
		<dc:creator><![CDATA[Margot Riley]]></dc:creator>
		<pubDate>Fri, 01 Jan 1858 00:51:29 +0000</pubDate>
				<category><![CDATA[c1850]]></category>
		<category><![CDATA[c1860]]></category>
		<guid isPermaLink="false">http://www.portraitdetective.com.au/?p=2930</guid>

					<description><![CDATA[What we see in this image This charming family portrait shows Margaret Moore Smail, aged about 32, with two of her five children: John standing to her right, aged about 7, and Isabella Rhubina, aged about 4, on her left. Emancipist artist Joseph Backler was a prolific and highly-regarded portrait painter, with his client base [&#8230;]]]></description>
		
		
		
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		<title>1858 &#8211; Dr Edward Swarbreck Hall</title>
		<link>https://www.portraitdetective.com.au/1858-dr-edward-swarbreck-hall/</link>
		
		<dc:creator><![CDATA[Margot Riley]]></dc:creator>
		<pubDate>Fri, 01 Jan 1858 00:38:05 +0000</pubDate>
				<category><![CDATA[c1850]]></category>
		<category><![CDATA[c1860]]></category>
		<guid isPermaLink="false">http://www.portraitdetective.com.au/?p=2922</guid>

					<description><![CDATA[What we see in this image This ¾ length standing, professional or ‘occupational’ portrait shows Dr Edward Swarbreck Hall, aged 54, who was house surgeon of the Hobart Town Hospital. He is posed next to a piece of scientific apparatus with two large anatomical illustrations (one human and one zoological) behind him with diagrams relating [&#8230;]]]></description>
		
		
		
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		<title>1858 &#8211; Jane Allen</title>
		<link>https://www.portraitdetective.com.au/1858-jane-allen/</link>
		
		<dc:creator><![CDATA[Margot Riley]]></dc:creator>
		<pubDate>Fri, 01 Jan 1858 00:17:20 +0000</pubDate>
				<category><![CDATA[c1850]]></category>
		<category><![CDATA[c1860]]></category>
		<guid isPermaLink="false">http://www.portraitdetective.com.au/?p=2911</guid>

					<description><![CDATA[What we see in this image This front-facing, ¾ length oil portrait shows Jane Allen, aged 53, seated in an easy chair, richly upholstered and buttoned in a colourful silk [brocade] fabric, and set against a masonry wall with a view on the right, behind her, suggestive of a domestic garden. In 1861, a Sydney [&#8230;]]]></description>
		
		
		
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